Sunday, June 26, 2011

Photography Tip: Using the Grid

In my opinion, the rule of thirds is the single most important part of composing a solid photograph.  The idea is that if you divide your frame into three sections horizontally and three sections vertically, you'll be left with a grid.  Points of interest should be placed at the intersecting points of your imaginary lines.

Here's an example using my latest photo:


Now this of course doesn't have to be exact but try to follow it as closely as possible.  You can see that I clearly intended to have the two tallest buildings anchor the image and they're anchoring the image because of where they're positioned in the frame.  Everything else just falls into place around those two points.  I'm also using lines to lead your eye through the image (notice how Park Avenue moves you all the way through to the sunset and Mt. St. Helens).  That's a different point altogether though.

You can use this with portraits as well.  Always aim to have your subject's eyes at one of the four intersecting corners.  Never put them in the center!  If anything, try to position main elements along the "thirds lines."  This holds especially true for horizons.  A dead-center horizon is a dead image.  I guarantee you'll come away with much better photographs if you use this technique.

Some cameras even have grid displays built in to the viewfinder.  If you have that option, turn it on and keep it on.  I always have mine displayed as it helps me guide my compositions and I move quicker as a result.

Saturday, June 25, 2011


I knew the skies were clear tonight so I went to my super awesome secret spot and came away with this photograph of downtown Portland.  Mount St. Helens is visible at left in the sunset and you can even make out Mount Adams to the right.  This is one heck of a view but honestly, I get nervous up in the hills.  They're prone to landslides and if an earthquake were to happen while up there, ruh roh.

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I didn't originally intend for this photograph to be a self portrait.  I set out to get a good shot of the small, rocky island directly behind me.  As you can see however, said island is rather nondescript and not capable of the wow factor.  So, I improvised.

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Friday, June 24, 2011

I love that moment when you're staring at a scene so dazzlingly enticing, you know you're coming away with an incredible photograph.  This was certainly one of those moments and I'm pretty sure I got something good. :)

Everything about this scene came together perfectly for me.  The path leading your eye through the image, toward the sunset and the wonderfully placed lighthouse.  The picnic tables, how they gently turn toward the ocean.  The trees anchoring the left side of the image.  The softness of all the colors. ... I really like this one!

Click here for the impressive story of "Terrible Tilly", the lighthouse in the distance.

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Thursday, June 23, 2011


I can see why this waterfall is among the most photographed in the Columbia River Gorge.  It's astonishingly beautiful.

Dramatic canyon walls give way to the river as Punchbowl Falls gently tumbles off a cliff, into a magnificent pool of crystal clear water.  Moss-covered boulders, smooth river stones and the inescapable allure of cascading water; the quintessence of nature's best.

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Wednesday, October 24, 2007

Birds Eye View
I was going to list the exposure settings for this one but I figured it'd almost be too confusing. You're actually looking at two photographs. The first is a cropped and enlarged version of one photograph and the pigeons sitting on the ledge is from another.

The cityscape was photographed at the top of the Teweles Seed Tower in the 5th Ward of Milwaukee while the pigeons were photographed along the rooftop deck of Hotel Astor between downtown and the East Side. I combined the photos with a bit of work in PhotoStudio.

This is my first "combined" photograph in the sense that it's two separate compositions. I've heard people tell me I'm "cheating" but I don't really see it that way... it's more along the lines of broadening the scope of my art - photography. Any thoughts?

Sunday, October 14, 2007

Still Morning
HDR - ISO 200, f/22, 1/6"-3/5"

I took this photograph in early September while walking along the shore of Lake Michigan during sunrise. What grabbed me about the scene was that while I could remember seeing countless pieces of driftwood, I had never seen an entire stump. The lighting helped too... the way the sun was glinting at the edge of the shoreline made for a near ideal photographic setting.
Abandoned
HDR - ISO 200 - f/11, 2"-8"

When I was a child, I knew this site as the "old houses". This is one of four extremely old, abandoned wooden shacks that - from what I can tell - used to be home to several families. I hadn't seen them in years so I decided to venture back and see what, if anything, was still there.

Only the one in this photograph is still standing. The other three have fallen victim to the elements. I'd imagine this particular house will follow suit shortly so I'm happy to have gotten one final glimpse into this world that once was.

Thursday, June 07, 2007

Taking Flight

I know, I know. The art museum has been photographed about ten million times. Seriously though, I hardly ever take pictures of it anymore. Every once in a while though, I see a unique perspective I haven't seen before.

The fog over Milwaukee this past weekend was absolutely spectacular. With University Club Tower barely visible through the clouds and the ever-impressive wings of the museum opening, I couldn't help but take this photograph.

Saturday, April 21, 2007

City Docks
HDR - ISO 100, f/5.6, 1/2500"-1/640"

This one's somewhat similar to an earlier photograph but I wanted to revisit the same place during the day for, in my opinion, a completely different perspective. While I don't like this one as much as my "Empty Docks" photo, I think it still makes the grade.